Artist and Professor of Fine Art, Northumbria University
Chris Dorsett is an artist whose career has been built on curatorial partnerships with collection-holding institutions. In the UK he is best known for a sequence of exhibitions held at the Pitt Rivers Museum between 1985 and 1994. His many overseas projects include museum ‘interventions’ across the Nordic region and fieldwork residencies in the Amazon and at the walled village of Kat Hing Wai in the New Territories of Hong Kong. He has written extensively about the interface between experimental art practices and the museum/heritage sector. His publications include: ‘Exhibitions and their prerequisites’, in Issues in curating: Contemporary art and performance (2007); ‘Making meaning beyond display’, in Museum materialities: Objects, engagements, interpretations (2009); ‘Things and theories: The unstable presence of exhibited objects’, in The thing about museums: Objects and experience, representation and contestation (2011); ‘The pleasure of the holder: Media art, museum collections and paper money’, in the International Journal of Arts and Technology and ‘Studio ruins: Describing unfinishedness’, in Studies in Material Thinking (both 2018).